Sunday, October 18, 2015

Questions about Type

Transitional style typefaces- so-called because they mark a transition from the former Old Style types.
Moderns- also known as Didone. The romans of the Modern types owe very little, if anything to the earlier calligraphic forms; they are too precise, too sharp, too clean. Didones are Romantic, elegant, and like all things elegant, look unhurried, calm, and in control.The Moderns need lots of space (white space and inter-line space), so give them extra leading and  generous margins; and if you pair a Modern with another face, then make sure it’s not a fussy one, or your page will look like a circus poster designed by a visually impaired dog.
Old Style- Old Style types are Neoclassical, Both modern and old style share a common vertical, but moderns have greater contrast.

Stroke Weight-  is a term used to describe the thickness of a line that helps make up a character in a font
Stress- The diagonal, vertical, or horizontal thick-to-thin transition in the stroke of a letter.
Small caps- are uppercase characters set at the same height and weight as surrounding lowercase letters or text figures.
Lining figures- are one of the two styles of figures, with the other being old style.
Small caps and non-aligning figures are designed to simulate the x-height of lowercase letters – full size capitals and aligning figures tend to jump out of the text. Small caps and non-aligning figures are ideal for telephone numbers and post codes.
 Ligatures are specially designed characters that overcome unfortunate clashes between certain letter combinations. 
Type measurement -The type sizes – measured in points – refered to this metal body rather than the face itself. The proportion of the face on the body could vary considerably from one typeface to another.




Volta

Volta is a slab serif
Designed together by Walter Baum and Konrad Bauer
Other fonts they have designed together are Folio, Verdi, Impressum
Volta was designed in 1955
Transitional
Regular, medium, italic, bold

Sunday, September 27, 2015

The difference between lettering and font design

Font design is related to typography and type design is all about structure and alignment and making things uniform as a whole set. Lettering is done by hand and is focused on individual letters.

Jonathan Hoefler

Jonathan Hoefler is a typeface designer that has founded the hoefler type foundry in NYC. He has worked with some of the biggest names in the businesses. He also published a book called muse about typography. Some of his fonts include, Landmark, Ideal Sans,Vitesse, Sentinel, and gotham.

Bruno Maag

Bruno Maag is a specialist in type design. He is the co-founder and owner of Dalton Maag. His company is a largest independent studio in Europe. His company recently designed for Nokia for the 2016 Oympics featuring their bespoke font. Fonts he has created are Effra, Foco, Almaq,Bligh, and Cordale. Those are just five among many of the fonts he has designed over the years.

 https://www.daltonmaag.com/

Sumner Stone

Sumner stone is a teacher, type designer, and type founder. For five years he was the director of typography for adobe systems where he designed the adobe typographic program. He also founded his own type foundry called Stone Type Foundry inc. With his company he created many prize winning typefaces as well as great designs. He is also a teacher of many typography and calligraphy classes and an author of many successful books. The list of fonts he has designed are long, but some of them are, Cycles, Arepo, Basalt, Munc, Numa.

http://www.identifont.com/show?18I

Sunday, September 20, 2015

Typeface four


It is constructed of long letter that are a bit hard to read when they are all close to eachother. It stands out because of how long and thin the letters are, plus the shape is very round and smooth. The letter that stands out to me is the letter y because it looks like the number 4 in my opinion, some are just hard to read but cool idea. Five words I would use to describe it, round, long, difficult, funky, creative.